Kalakruti Media

  Those were the days of Rajesh Khanna's extraordinary craze. His picture used to hit the screens only to become a super hit. It was like a habit and a passion of movie theaters. In this way, in 1970, there was a huge debate among the media, film industry and film lovers. Johnny Mera Naam (Mumbai release 20 November 1970) directed by Vijay Anand and starring Dev Anand, A. Gopi (released November 27, 1970) directed by Bhimsingh and starring Dilip Kumar and Mera Naam Joker (released December 1970) starring Raj Kapoor directed by Bhimsingh and starring Dilip Kumar, are always released, from studio canteens to Irani hotel chats, etc. There is a back and forth discussion on the same pictures. (Dilip Kumar) There was a lot of talk about pictures and cricket (and even politics) in those days through noses, kattas, galleries, long journeys. Newspapers, weekly magazines and magazines wrote about these three films for almost a year. I remember when I was in school and in the Rasarang weekl

Director Hemant Dhome's film Zimma 2, based on the phrase Te Khari Bai, breaks all definitions of what Baipan means! In today's article from Kalakriti Media, we are going to find out, after the great success of Jhimma film, has this film Jhimma 2 (Jhimma 2 Review) lived up to the expectations? It is said that if there are more than one wife together in one house, the pot will collide and in this case 7 wives will once again leave together for a new trip.  7 different types of 7 girlfriends and 7 different stories of these 7 women;  But when the group comes together for a trip, what happens is fun, and together they share their sorrows and play ZIMMA LIFE !! If the story of this film is to be told in brief, as before, once again these people get ready for a new trip, the only difference is that this time there is a new suspense and some new characters, each character has a new struggle with his own situation and feelings.  But the thread that binds them together and supports the

Being in the media, without 'Dhyanimani', there is no telling when, which, you can walk up to a good opportunity... Mumtaz, who was well immersed in the world, unexpectedly made a comeback in the film industry.  After seeing Mumtaz at the party in a five-star hotel in Juhu for the announcement of this film, I thought, why is she coming back to the screen when 'Naktya Nakacha To Tadka' is not attracting attention?  After seeing the picture and flapping it, it was sealed.  (Double roll) But on the occasion of this picture, the grace of Pahlaj Nihalani gave a nice sum of independent interview of Mumtaz.  When I learned yesterday's Mumtaz from today's Mumtaz, I got a huge shock.  Mumtaz was saying, Shashi Kapoor, Jitendra, Dharmendra initially refused to accept me as a heroine while I was taking the next step as a heroine by moving as a junior dancer, a stunt movie heroine, a co-heroine in a mainstream film... (Double roll) In this regard, she gave the example of &#

There are some unwritten rules for our pictures. They would make a superduper hit movie and give the hero a role similar to a role in one such super hit movie. "Mother India" (1957) directed by Mehboob Khan is an all-time superhit movie. Nargisji's performance in the central role makes this film worth watching again and again. Out of the two sons in the role of Radha, one is straight (Rajendra Kumar) and the other 'Bighdi hui Oolad' Birju (Sunil Dutt) becomes quite a robber. becomes a bandit. And at the climax, his mother holds a gun and shoots him. At that time, the film was very shocking. And therefore very much discussed. After the film became a hit, Sunil Dutt once again played the role of a dacoit. (Super Hit) Mujhe Jeene Do (1963), produced by Ajantha Arts and directed by Moni Bhattacharya, was critically acclaimed. The songs in the picture became popular. Sunil Dutt and Waheeda Rehman acted well. Sunil Dutt is the producer of this movie. Daku Thakur Jarna

Every actor who happens on this  theater  always has a love for theater while working in any medium. Theater, be it experimental or professional, gives warmth of love to the artist and selfless love of the audience. Because of this love, while many artists appeared in commercial theater, one artist will now appear in experimental theater along with  commercial plays . That artist is 'Rohan Gujjar'  . While Aamne Samane is on the commercial stage, Rohan, who will be seen in the new serial 'Navi Janmen Me', is now playing an important role in the experimental drama '  Are La Kare '.  On the occasion of Marathi Theater Day, he is announcing that he is working in this new experimental play. The journey of this new experimental play code to theaters started with a discussion, it became a one-act play, and that one-act play is now being staged. Taking time out from the busy shooting of the serial, Rohan is currently gearing up for the experiments of both the dramas. A

Rosie aka Waheeda Rehman, who gave her exhilarating dance performance in Vijay Anand's 'Guide', must have come before the eyes of die-hard fans of film songs, music and dance till they say 'Kanto ke khinch ke yah aanchal..'. This is one of the best examples of the very close relationship between the artist and the song. You will also appreciate how Wahida ji has given his classical music and dance training in this song dance. But I told you, if Smita Patil also performed the same song on the silver screen, you might have been surprised by it or the 'overlap' that has been played with some songs in today's digital age. (Often it's annoying) There will be something like that. That is, the ridiculous creativity of putting aside the original song in the film and fitting some other song over it has increased. You are thinking that this type will be there. (Qayamat Memory) But nothing like that. Indeed, Smita Patil brought to the silver screen the song K

  The most emotional, tender and sensitive part of human existence is his relationship with his mother! A mother is the person most taken for granted and given equal respect. In all relationships, who is the most sensitive, emotional and caring person for you, your mother. She wants her son to be a good person and to be well known by other people. For this, the sesame seeds are breaking. (Shyamchi Aai) Mother is most responsible for what we grow up to be. Whether it is saying sorry to someone or saluting God or respecting elders, she teaches us humility, humanity and truthfulness. So far, many works of art have been created keeping the mother as the focus. In many places, mother was deified and her humanity was taken away. But this film has brought us a beautiful story of mother as a human being. (Shyamchi Aai) The basic story of the film is that Sane Guruji gets imprisoned and writes a book called 'Shyam Chi Ai' while in jail. Guruji tells the story of Shyam's childhood to