This is how Saira got an opportunity to work with Dilipji

 

Those were the days of Rajesh Khanna's extraordinary craze. His picture used to hit the screens only to become a super hit. It was like a habit and a passion of movie theaters. In this way, in 1970, there was a huge debate among the media, film industry and film lovers. Johnny Mera Naam (Mumbai release 20 November 1970) directed by Vijay Anand and starring Dev Anand, A. Gopi (released November 27, 1970) directed by Bhimsingh and starring Dilip Kumar and Mera Naam Joker (released December 1970) starring Raj Kapoor directed by Bhimsingh and starring Dilip Kumar, are always released, from studio canteens to Irani hotel chats, etc. There is a back and forth discussion on the same pictures. (Dilip Kumar)

There was a lot of talk about pictures and cricket (and even politics) in those days through noses, kattas, galleries, long journeys. Newspapers, weekly magazines and magazines wrote about these three films for almost a year. I remember when I was in school and in the Rasarang weekly which was brought home from the library, I used to write about all these three films Vasant Sathe, Vasant Bhalekar, Isaak Mujavar. Vasant Sathesaheb is the writer of Raj Kapoor's films (he himself wrote 'Babby') and publicist (namely Sathesaheb and MB Samant's Bombay Publicity Service) so he knows a lot about the ins and outs of 'Joker' while it is still in production. (Over time, when I came to the media, I understood many things after developing a very good relationship with Sathesaheb.)

From the month of May, June, the songs of these three films (EP and LP) were sold in rhythm houses and other places and the songs of all the three became popular as they were heard, played on loudspeakers, played in orchestras. 'Gopi' was given such a certificate by the censors on August 28 and now the preparations for the exhibition have started. During that time, many films were first released in Delhi and various cities in North India and then came to Mumbai. (Same thing happened to Gopi.) Some were first released in Mumbai. (It happened to Johnny and Joker.) Gopi's lyrics and dialogues are by Rajendra Krishna and music is by Kalyanji Anandji. (Dilip Kumar)

Ramchandra Kahe Gaya (Singer Mahendra Kapoor), Jatalman Jatalman Mai Hu Babu Jatalman (Lata Mangeshkar and Mahendra Kapoor), Sukh Ke Sabhi Saathi (Mohammed Rafi), Ek Padosan Pied Gai (Lata Mangeshkar and Mahendra Kapoor), Akele Hi Akele Chala Hai Kauhan (Lata Mangeshkar) all songs are hits. Sukh Ke Sab Saathi song tells the philosophy of life in simple language. It is clear from the song that this is a rural story. The producer of the film T. S. Muthyuswamy and S. S. Palaniappan (Madras. Now Chennai). The film is a remake of the 1964 film Chinnada Gombe (Kannada) and Muradan Muthu (Tamil). Hindi remake of southern regional language films is a very old tradition. And there is nothing wrong with that. Saira Banu's happiness became important. (Dilip Kumar)

After getting married, Saira Banu had the opportunity to act in a film with Dilip Kumar for the first time. This opportunity was not available until then. This film is important in both life and career. Over time, Saira Banu shared a post about this happiness in social media. The focus was on the joy of shooting the first scene with Saheb on the occasion of 'Gopi'. It was very candidly said, one of my dreams has come true. I got to work with Abhinay Shahenshah. A bit nervous to be working with a smart acting icon, Saira Banu opened up about her feelings. Also posted a photo of both of them. Many fans responded positively to this post. Actually 'Gopi' was a very previous generation movie, but many such movies never get old. Next generation movie buffs are also known.

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Gopi' stars Johnny Walker, Sudesh Kumar, Mukri, Om Prakash, Nirupa Roy, Farida Jalal, Lalita Pawar, Durga Khote and Pran in lead roles. Relationships, misunderstandings and the path taken by 'Gopi' are simple things like that. The general film buffs of that time expected that the setting should be colorful, the lyrics and dance should be heavy and the acting should be effective. Loved the sweet ending of the movie.
In those days there were fifteen minute programs promoting new films on various Bharati channels. It was widely heard. Two dialogues from the program of 'Gopi' became very popular. 'Gopi' says, mai hanuman ka bhakta, mere bare mein kaise kaise vycharte ho, aisi baate socho to pap lag jagaga.. Seema's (ie Saira Banu) dialogue was also a hit, beech me gopi raja chara taraf gopiya…

'Gopi' achieved Silver Jubilee success at Main Theater Apsara in Mumbai and Saira Banu's successful journey as a heroine after marriage continued as before. That too with heroes like Dharmendra, Amitabh Bachchan, Vinod Khanna. The success of a picture depends on many things.

Original content is posted on https://kalakrutimedia.com/this-is-how-saira-got-an-opportunity-to-work-with-dilipji-marathi-info/