This is an important reminder of 'Qayamat'

Rosie aka Waheeda Rehman, who gave her exhilarating dance performance in Vijay Anand's 'Guide', must have come before the eyes of die-hard fans of film songs, music and dance till they say 'Kanto ke khinch ke yah aanchal..'. This is one of the best examples of the very close relationship between the artist and the song. You will also appreciate how Wahida ji has given his classical music and dance training in this song dance. But I told you, if Smita Patil also performed the same song on the silver screen, you might have been surprised by it or the 'overlap' that has been played with some songs in today's digital age. (Often it's annoying) There will be something like that. That is, the ridiculous creativity of putting aside the original song in the film and fitting some other song over it has increased. You are thinking that this type will be there. (Qayamat Memory)

But nothing like that. Indeed, Smita Patil brought to the silver screen the song Kanto Ke Khich Ke Auchal, written by Shailendra, sung by Lata Mangeshkar and composed by Sachin Dev Burman. You can also find it by searching on Google. I said this according to the culture of today's global era of going to Google quickly if something goes wrong. You will find this song in it (obviously you will search for it when I tell it here) but how that song was born should not be told? Produced by Salim and Raj N. This sum has been achieved in the film Qayamat directed by Sippy (released in Mumbai on November 4, 1983. It's been almost forty years).

While experiencing the thrill of 'Qayamat' at our press show, Shashi (Smita Patil) is urged to sing at a party. At that time, a new song would have fit easily. The film's lyricist Mazruh and music composer Rahul Dev Burman were able to do it easily. Director Raj N. Sippy thought, what if we used an old song instead or showed it? Asha Bhosle's forever youthful song Chura Liya Hai Tumane Jo Dil Ko Hai from 'Yadon Ki Baaraat' (1973) flashed before his eyes. For this he contacted the producer and director of 'Yadon Ki Baaraat' Nasir Hussain. Songs, music and dance are always present in Nasir Hussain's films 'Hukma Mache Paati', when his old films are released in repeat run or matinee shows, songs are a big feature of his films. How will she leave it? After his refusal, Raj N. Sippy interacted with Vijay Anand. Goldie Anand agreed as it would be a 'proper use' of the song from his film 'Guide' and then Smita Patil also got the chance to perform the same song on screen. The only difference is that the song of 'Guide' was shot in Udaipur, Rajasthan. Vijay Anand's directorial touch is visible in it. In 'Qayamat' it is in the same spot as it is in a party.(Qayamat Memory)

This is an important reminder of 'Qayamat'. She herself is Raj N. Understood by Sippy on the sets of 'Saugandh' (1991). Director Raj N. Sippy was an assistant director to Gulzar for many years. While starting work as an independent director, he kept 'focus' on bringing the 'themes' of English films to Hindi without prioritizing any of Gulzar's sensibilities, local subjects, flashback techniques. His directorial debut 'Inkaar' (1977) clarified his 'focus' and then continued with 'Josh' (1981), 'Satte Pe Satta' (1982). It's like getting used to it. He made 'Qayamat' based on the central idea of ​​the Hollywood film 'Cape Fever' (1982).
Your police inspector friend S. P. Rajeshwar (Dharmendra) who is angry that Kamal (Shatrughan Sinha) did not conduct a proper investigation and was jailed in a murder case, systematically harasses Kamal's sister Sudha (Poonam Dhillaan) after he is released from prison. A mystery. Effect of English picture on overall presentation.


The biggest plus point of the picture, is the cinematography by Anwar Siraj and the composition by Vaman Guru. Technically the picture is better. That's why we get involved from the beginning. You can watch this movie on YouTube.(Qayamat Memory)

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Also Read:Ganesh Talkies are designed like old single screen theatres…

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Dharmendra's negative shade role is remarkable. Also starring Shatrughan Sinha, Jayaprada, Smita Patil, Poonam Dhillon, Shakti Kapoor, Iftekhar, Arun Bakshi, Prema Narayan, Sudhir Dalvi, Bharat Kapoor, Pinchu Kapoor, Jayshree T., Madhu Malhotra, Narendranath, Ram Mohan etc. The film is written by Kader Khan and screenplay by Mohan Kaul and Ravi Kapoor. The film was remade in Telugu as 'Nippullati'. Raj N. While Sippy's career as a director was progressing, three films like 'Boxer', 'Andar Bahar' and 'Baazi' came out in a single year in 1984. In the next year i.e. 1985, 'Shiva Ka Insaf' (this is 3D) came one after the other. During that time, Raj N was wandering around the studio for shooting reporting. Sippy's film shoot looked promising…with the same directorial continuity, he made Vinod Khanna the hero of 'Satyamev Jayate' (1987) after his comeback. My favorite movie of his is Thanedar (1990). He added a lot of color to the concept that the policeman becomes the darling of the villagers. The film has Jeetendra, Jayaprada, Sanjay Dutt, Madhuri Dixit in lead roles. Evana Raj N. If Sippy succeeded in reducing the influence of English film on his direction…

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