Raj Kapoor's film was known as a flop...
Positively not The End
But it was positively the end of Jokar !
At the end of 'Mera Naam Joker' (1970) these words
appear on the screen and we get emotional. This is because the first run of the
film was completely rejected by the audience and it became known as a flop
film. Unfortunately, the same is mentioned even today. But Raj Kapoor's
content, producer, director, acting, compilation, studio owner, talent in art
direction, great ear for music and visionary personality make this movie the
best movie of his silver career.(Raj Kapoor)
On the occasion of today's Raj Kapoor's birthday
(14 December 1924 – 2 June 1988), the first half and the second half of Raj
Kapoor 'Joker' before and after are highlighted. And the CinemaScope
personality across the cinema screen that has been happening through all this.
Qalandar celebrities in the language of today's global era.
Tells a different memory. When Raj Kapoor was felicitated by a film society in Mumbai after the hit of 'Babby' (73), he said in his speech, today whose secretary, whose driver, whose soldier stands in the market with money. The best nuts take nuts and make a lot of money by bringing ordinary films to the screen. To answer them, someone like me has to remove 'Babi'. And so on and so forth. His eloquence continued to grow and he traveled to an era where filmmaking was 'not an art obsession, but an industry to make quick crores of rupees'. (Raj Kapoor)
After 'Joker', a new Raj Kapoor appeared while
making 'Babby'. He did not feel like the previous generation. 'Babi' (1973) is
the fiftieth year. That is, Raj Kapoor was in his fifties at the time of making
'Babby'. He had now put aside playing the 'silver hero'. It is necessary to
realize this.
Raj Kapoor is the image of a showman. But Raj Kapoor knew both the layers of the film medium and the ins and outs of the business. There was foresight. That's why Raj Kapoor made an impression on the public with success and controversies and gossips. Raj Kapoor says, picture is made on tables, writing table and editing table. He (that generation) did not have the view that picture paiso se banati hai. There was a feeling that the picture was dilse banati hai. (Not possible in today's commercial age.) A look at Raj Kapoor's Pragati book clearly shows that he set the ideals of filmmaking for generations to come. How a film should be, how it should look is seen in Raj Kapoor's film. Films under his direction are a kind of workshop, a university. And in this regard, Chitrapati V. Considered Shantaram as his role model. Similarly, Raj Kapoor was not a film maker and director by planning or planning. Considered somewhat rude. But once he started working, he was only obsessed with cinema. Raj Kapoor is the epitome of what it means to embrace the medium of film.
The career of this ever-talking Qalandar CinemaScope. But let's take a look at the trailer. Raj Kapoor was born in Peshawar in Pakistan. He is the son of Prithviraj Kapoor and Ramsarini. Raj Kapoor's name is Ranbir Raj Kapoor, but when he entered the film industry, he changed to Raj Kapoor. At the age of ten, he acted in the film Inqlab. He started as a clapper boy in Bombay Talkies. At that time, in his father's Prithvi Theatre, he used to be a stage clown or a servant and curtain puller in the play 'Deewar'. In 45, he played a small role of Naradamuni in Bhalji Pendharkar's film 'Valmiki'. And their spirit began to merge with the field. The director who slapped him once for a mistake in the work also gave him his first chance as a hero. It was directed by Kedar Sharma and the movie “Neelkamal” (47). At the age of twenty-three, he stepped into the production and direction of the film 'Aag'. (Raj Kapoor)
Raj Kapoor's first film as a producer and director 'Aag' was not a success.
“Barsaat” (49) was the first hit film produced, directed and acted by Raj
Kapoor.
Awara ( 51 ), Shree 420 ( 55 ) are some other successful films. A few films
shaped his lasting image as the "Charlie Chaplin of India". RK Banner
produced Raja Navathe's 'Ah' (53), Prakash Arora's Boot Polish (54), Amit
Mishra and Shomu Mitra's Jagate Raho (56), Amarkumar's Ab Delhi Door Nahi (57)
and Raghu Karmakar's 'Jis Desh Mein Ganga Bahti Hai' ( 61) also produced films
on this social subject. Some of Raj Kapoor's films by other directors, Andaz (
49 ), Dastan ( 50 ), Sargam (50), Anhoni (52), Aah (53),Chori Chori (56),
Sarada (57 ), Parwarish (58), Phir Subah Hogi (58), Anadi (59), Do Ustad (59),
Chaliya (60), Najrana (61), Aashiq (61), Dil Hi To Hai (63), Third Kasam (66)
are So this R from 'Sangam' (64) directed and acted by Raj Kapoor. K.Film's
first color film as well as India's first two-interval super hit. Then Dulha
Dulhan (64), Around the World (66), Sapno Ke Saudagar (68) by other directors
failed. Raj Kapoor then stopped playing the 'hero' role and started playing
character roles. She did it in Naresh Kumar's Do Jasoos, Darasingh's Mera Desh
Mera Dharam, Dulal Guha's Khan Dost, Sanjay Khan's Abdula etc. It took almost
six years to complete the important film of Raj Kapoor's career "Mera Naam
Joker". (Raj Kapoor)
The film was originally 4 hours and 43 minutes
long. It ran for 4 hours and 9 minutes with two intermissions. But from the
very first day, there was a reaction of disappointment towards the film. So,
within a week, he made an interval of 178 minutes. Due to this, a large part of
the film had to be cut. After that, the film received repeat runs and matinee
shows. Then in "Kal Aaj Aur Kal" directed by Randhir Kapoor,
Prithviraj Kapoor, Raj and Randhir Kapoor of three generations came together.
In the latter part of his directorial career, he preferred films with feminist roles. There was a lot of back-and-forth discussion on whether it actually opened Sri Beauty according to the theme. Gossip ran wild. There were controversies. The films Satyam Shivam Sundaram (78), Premrog (82) and Ram Teri Ganga Maili (85) can be mentioned in this regard. Interestingly, there was much discussion that the ending of 'Ram Teri Ganga Maili' was changed as suggested by Vasant Sathe and Bani Reuben. Counting in his career, Raj Kapoor left an extraordinary impression of his directorial achievements in only ten films. This shows his understanding and power of visual media. While RK's song Ek Din Pit Jaga Mati Ke Mol from Randhir Kapoor's 'Dharam Karam' (76) on Raj Kapoor is popular. Raj Kapoor Immersed in the medium of film, a personality who believes that film is his breath and passion. He also had a good knowledge of set design, lighting scheme, camera movement, composition, music and dance performance, publicity of his films, his poster design. From Vasant Sathe and Bunny Ruben Janj, Raj Kapoor's struggle to reach more audiences was heard. While Raj Kapoor is the showman and Raj Kapoor is the beauty, acting and dancing personality of the heroines is always understated, there is much more to Raj Kapoor as well. (Raj Kapoor)
RK Banner's signature is films that are relatable
to the masses. Raj Kapoor himself said in an interview that my audience watches
films only to dream and I will create films that will make them feel... The
song in the film directed by Raj Kapoor has a great chemistry of dance beauty
and visual beauty. A few songs, jiya bekarar hai.. ai bahar hai, hawa me udta
jaye (barsaat), ghar aya mera pardesi (awara), ramayya vatta vaya (shree 420)
yeh mera prem patra padhkar (sangam), yeh bhai jara dekh ke chalo ( Mera Naam
Joker), Mujhe Kuch Kehna Hai ( Baabi), Yashomati Maiya Se Bole Nandalala (
Satyam Shivam Sundaram).
Raj Kapoor's heroine is the subject of an
interesting script. His pairing with Nargis on the silver screen is as much a
subject of admiration as the pairing behind the screen is a curiosity. This
triangular cast consists of his heroines in films directed by Raj Kapoor
(Vajayanthimala, Padmini etc.), his heroines in other directors' films (Nutan,
Mala Sinha, Hema Malini etc.) and the heroines of other heroes directed by him
(Dimple Kapadia, Zeenat Aman, Mandakini etc.). subject is One big fact about
Raj Kapoor is that each of them has a new look and that too with the Raj Kapoor
touch. Raj Kapoor is an independent university. It also has film as an art form
and the glamor of cinema. Interestingly, the three Kapoor brothers, Raj, Shammi
and Shashi, have their own unique styles. Raj Kapoor's career span is huge. His
three sons (Randhir, Rishi and Rajeev) also have different abilities. But none
of them could reach the height of the father. Actually, don't expect that.
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Also Read:Dilip Kumar regrets the role he rejected
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Raj Kapoor has fans all over the world including
Russia. The film 'Awara' gained popularity in Russia and Eastern Europe. This
is because it has a social formula. It is the system that makes a man a
criminal. It is the political and social system that creates economic and social
inequality. If you want to change it, either adopt Communism or Socialism. This
optimism sets the film apart and makes it a very different Raj Kapoor film.
Chinese revolutionary leader Mao Tse Tung especially liked this film. So in Sri
420, he combined Chaplin's style, neo-realism, American style. It is called
film studies. Many such actors in Hindi cinema are known globally today.
Raj Kapoor was honored with the "Padma
Bhushan" award by the Government of India in the year 71. He collapsed on
the spot at the Dadasaheb Phalke Award ceremony in New Delhi in 1987.
Prithviraj Kapoor was also posthumously honored with the Dadasaheb Phalke award
which was accepted by Raj Kapoor. But this time, as Raj Kapoor was suffering
from asthma, the President came down and gave the award to Raj Kapoor. But he
collapsed on the spot. He was admitted to a hospital in Mumbai for treatment.
Raj Kapoor passed away while undergoing treatment. During this period, he
recorded two songs of the movie "Heena". Later this film was directed
by Randhir Kapoor. Vakil Babu (82) is Raj Kapoor's last film. He acted as a
guest star in the Marathi film 'Kalank'. There is an informative museum about
his films in a farm called Rajbagh in Loni Kalbhor village on the Solapur Marg
in Pune district.
The trinity of Dilip Kumar, Raj Kapoor and Dev
Anand was yesterday, today and will be tomorrow... as Raj Kapoor's own song in
'Shri 420' says 'Phir Bhi Rahehi Nishaniya'... on the occasion of Raj Kapoor's
birth centenary, this multi-faceted personality has been widely discussed
throughout the year through various media. There is a lot to learn from those
who have stepped into the various fields of film industry, media, film buffs
and entertainment in today's global age digital generation while 'focusing'. Raj
Kapoor is an in-depth university of film as a medium and business. It is not
just individuals or celebrities. There is much more going on than that. His
quest is never-ending.
Original
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