When Vyjayanthimala was selected for the Padma Bhushan award…

 

There is no exact answer to why many people do not know when to stop in the field of art. But learn from Vyjayanthimala how to stop and start a new innings. Vaijayantimala truly left the Hindi film industry, deciding that 'Gamwar' (1970), produced by Naresh Kumar, would be his last film. Even when producer Gulshan Roy and director Yash Chopra offered Vyjayanthimala straight to Chennai (then Madras) for the role of 'Mother' in 'Deewar' (1975) and then Manoj Kumar for the role of Mother in 'Kranti' (1979). Even when she was very understanding, she said “no” with the same firmness. Here she reigned as the leading heroine, all the leading heroes of that time acted with her, many of the songs she performed on the silver screen are all-time hits, Vyjayanthimala was not convinced that she should act in a character role. Throughout her life she managed to accept that she was not an 'artist'.

When Vaijayantimala was selected for the Padma Bhushan award by the central government, this one of Vaijayantimala's many characteristics was quickly recalled. A social media photo of Hema Malini congratulating Vyjayanthimala highlights the visit of the two-generation number one actress. Today's multiplex, OTT generation may not know much about the 'number one' actress of the sixties named Vyjayanthimala. Her special feature is her round face. He directed Bimal Roy's 'Madhumati' at one click, B. R. Check out 'Naya Daur' directed by Chopra, 'Ganga Jamuna' directed by Nitin Bose, 'Sangam' directed by Raj Kapoor, 'Jewel Thief' directed by Vijay Anand or watch her various dances in many such films. Beauty, acting, dancing and confidence (amongst all this there is also a great deal of gossip) have a wonderful chemistry in Vaijayanthimal.

Vaijayantimala was born on August 13, 1936 in an Iyer family in Triplicane, Tamil Nadu. That means now 88 years are starting. Father's name is M. D. Raman and mother's name Vasundhara Devi. Acting in that Tamil film. At the age of eight, her mother was impressed by Vyjayanthimala's dancing at a school in Vatican City. She learned Bharatanatyam from Wajahur Pillai Yang. Learned Arangtrem at the age of thirteen. She made her foray into the film industry with the Tamil films Vadkai (1949) and Jeevitham (1950). She learned the language while coming to Hindi from the southern film production house AVM's 'Bahar' (1951). The first hero is Karan Dewan. It was difficult to resist the dance duo now in the Hindi language, Vyjayanthimala. Meenakumari, Nargis, Madhubala, Shakeela, Nutan, Waheeda Rehman, Mala Sinha, there was a strong competition and it was increasing. However, Vaijayantimala has created a place of its own.

A barometer of success is that she became the heroine of all the tap heroes of that time. Starting with Krishna Dhawal i.e. black and white era films, she remained in form till Eastmancolor. R. K. R. of Chembur reports that Raj Kapoor became involved with her unknowingly during the production of 'Sangam' (1964), the first color film of the film banner and the country's first two-interval film. K. As soon as he reached the cottage, Raj Kapoor's wife Krishna Raj Kapoor left the house with their three children and the gossips that they stayed at Nataraj Hotel on Marine Drive for a few days are still being painted and chewed even after sixty years of the picture. It is called 'Extraordinary Gossip in the Colorful World of Pictures'. A conclusion has always been drawn that Raj Kapoor used to fall in love with his heroines and they were successful in revealing their beauty, acting and dancing. It seems to be an inscription that also has the name of Vaijayantimala.

Vaijayantimala Ruperi song, music and dancer 'Bahar' Kay Varnavi. Some songs should be sung. Whether you believe it or not (Play of fate), I fell in love with you Rasiya (New Delhi), First step in love (Yasmin), Hey koi go re (Patrani), Come here foreigner, Sinner has climbed the nettle (Madhumati), Ude Jab Jab Jhulfe Teri (Naya Daur), Asma Ke Neeche (Jewel Thief), Mere Paas Aao (Sangharsh), Thandi Thandi Hawa Me (Prince), Tere Husn Ki Kya Taribe Karu (Leader), Kya Karu Ram Mujhe Budha Mil Gaya ( Sangam), Tum Ruthi Raho Me Manta Rahu (Bird of Hope), Dekh give us voice (Amardeep), Dooriya became a close friend (Duniya), Vyjayanthimalachi's role in 'Sangam' has many small and big shades for Ghazli. It was a matter of love triangle. There was a lot of emotion in it. Many aspects of Vyjayanthimala's acting are found in many screenplays.
Yes, it takes an extraordinary amount of patience to stop the journey through the famous Ruperi school on its own. It takes a different mentality. She was or is the number one actress of the sixties, many new actresses like Hema Malini, Rekha, Jaya Bhaduri, Rakhi, Leena Chandavarkar have come. Hey, I took note. In a way, he made them clear the way.

It is worth learning from Vyjayantimala exactly when to stop. Even then, the next generation of heroes had arrived. Rajesh Khanna was not suitable as her romantic hero. In the seventies, Vayajayantimala's films were seen in street films, matinee shows, repeat runs and on Doordarshan. Even with the advent of color television and video in the eighties, the journey continued. Now on YouTube, you must watch the opening songs of Vyjayanthimala's movies, She Nritya Say Love Definition Say. A great personality and great screen presence will be seen.

Vaijayantimala has a special contribution to Marathi cinema. In 1971, she produced the Marathi film Zep directed by Rajdutt through the film production company Suchindra Arts. In this movie Dr. Kashinath Ghanekar, Darshana, Ramesh Dev, Prabhakar Panashikar, Darshana, Madhu Apte, Ramesh Padwal etc. The story of this film is by Vyjayanthimal and screenplay and dialogues are by Srinivas Joshi. c. d. Madgulkar's lyrics are composed by Sudhir Phadke. It was said that he made this film to please the Shiv Sena of that time. I remember when I was a child, this movie was screened in Majestic Cinema in our Girgaon. About eighteen and twenty years ago, an invitation came.

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B.R. Film produced by B. R. Produced and directed by Chopra 'Naya Daur' in color form... I watched this black and white era film on Doordarshan when I was in school. Now there was a desire to see in color. Juhu B. R. Went to the mini theater in Chopra's bungalow. The show was getting late. At that time I understood that Vaijayanthima is coming. Eyebrows will be raised. Curiosity grew. Vyjayantima of the previous haircut was no longer possible to exist or be seen. And so it was. Whatever it is. Had a meeting with Vaijayantimala and had some chats. How happy you are. Abhijit Desai also wrote a weekly Lokprabhat article on this. She is currently enrolled in a dance school in Chennai, insisting that it is her passion, in fact dance is the highlight of her acting career. Many congratulations to Vyjayanthimala for the Padma Vibhushan award. A great honor. Ideal move.

 

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